Both
Hoots and Hellmouth still yearned to make music, but in their hearts they sensed
a sea change shifting in the winds (holy ghosts?). The half-stacks and drum kits
that had propelled their musical visions thus far had run their course. It was
time for something different. They burrowed inside acoustic guitars and found
fertile soil.
The
early collaborations yielded much fruit. Discovering shared passions and visions,
the two peeled off songs like so many ripe bananas. Their repertoire grew, as
did the legend of their live expression. Stomps and hollers beneath soulful singing
were the hallmarks of the spare yet explosive performances.
Feeling
the need to share this fiery spirit with the world, Hoots & Hellmouth headed
south in the early days of summer to play for the kind folks there. The Good Doctor
Berliner, an expatriot from Hoots former ensemble, accompanied them on their journey
adding to the acoustic alchemy. Fresh inspiration was the order of the day, and
the people drank it unto drunkeness.
Hoots
& Hellmouth returned zealous with grandiose visions for what lay ahead. Studio
time was booked post haste and a replica of that weekend's rafter-shaking work
is now available for the public's edification.
Equipped
with recordings and an ever-growing sense of purpose, Hoots & Hellmouth are
poised to expand their influence. The spirit of the music inside and among these
willing vessels propels them. Their ambition goes beyond the region beyond the
country, really. This is music for the masses. All of them.
Hoots &
Hellmouth appear on Shut Eye's The
United State of Americana, Volume Four with their track "I'm Close, I'm
Come Undone (live)".